The creation of an pan-European CD is the biggest organisational challenge. We have developed an innovatibe technology, which you could call ‘song crossing’. My trio in Trieste creates a first version, which is used in other cities for further recordings. If we aren’t able to meet up we use the internet to send material. For example, a guitarist from Copenhagen sends a piece to a musician in Budapest, who develops it stylistically and reinterprets it. They then send it on to a musician in Spain and so on.